Cross-Dressing in Chinese Opera

Cross-Dressing in Chinese Opera
内容简介:

The enchantment of the figure of the "male dan"--female impersonator--remains a residual element in the cultural imagination of many contemporary Chinese societies. To discuss "mistaken identity" and gender issues that relate to cross-dressing on the Chinese operatic stage, this book examines traditional dramatic texts, modern literary writings, critical writings, opera paintings, and contemporary movies.

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  • 陶者无缰
    10-28
    杜國威讓女扮男裝的直女祝英台(蓋鳴暉)愛上以為TA是男的而愛TA的gay男梁山伯(謝君豪),我看你不是想燒死一對異性戀,是想繞死觀眾。李瑞環對張君秋說,要繼承張派,溫如華是最合適的。張君秋夫人對李瑞環說,Premier周說了,我們君秋就是最後一個男旦了,我們培養了溫如華就成罪魁禍首了,我們不能當這個歷史的罪人,溫如華我們堅決不能培養。喲,還™符合g策了。對,頂著無數壓力的「最後一個男旦」溫如華就是霸王別姬裡給張哥哥配唱的幕後「程蝶衣」。
  • 少说话多写字
    11-04
    从性别角度研究戏曲。
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